“The Builders” by Joseph Fort Newton
Joseph Fort Newton’s work The Builders: A Story and Study of Freemasonry, first published in 1914, is perhaps his most famous work, and is commonly regarded as a masterpiece on the subject of the spirit and history of Freemasonry. The Builders looks into the deep ancient past to glean the roots of this secretive organisation, Fort Newton looks at the Dionysian Artificers and Roman Collegia amongst others to accurately consider the roots and spirit of the movement. It also clears up some common misconceptions about the movement, by looking to the past.
“Who Was Hiram Abiff?” by J.S.M. Ward
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world’s literature in affordable, high quality, modern editions that are true to the original work.
“Freemasons For Dummies” by Christopher Hodapp
Fascinated by Freemasons? Freemasons For Dummies is the internationally best-selling introduction to the Masons, the oldest and largest “secret society” in the world. This balanced, eye-opening guide demystifies Freemasonry, explaining everything from its elaborate rituals and cryptic rites, to its curious symbols and their meanings. Find out what goes on in a Masonic meeting. You’ll understand the true purposes of Masonic “secrecy” and philosophy, meet famous Masons throughout history, and discover related organizations like the Knights Templar, the Scottish Rite, Order of the Eastern Star, and the Shriners. Explore the controversies and conspiracy theories that swirl around this organization at the center of Dan Brown’s novel The Lost Symbol, and discover the changes coming to the Craft.
“Tell me more about the Mark Degree” by Revd Neville Barker Cryer
Ten five-minute talks to be performed in a Mark Lodge or just to read at home. Including : About the Mark Man and Mark Master, About the Mark, The true meaning oft he Key Stone and the Cornerstone. Discover the symbolism behind The Mark Tracing Board and much much more.
“Quadrivium: The Four Classical Liberal Arts of Number, Geometry, Music, & Cosmology”
The quadrivium-the classical curriculum-comprises the four liberal arts of number, geometry, music, and cosmology. It was studied from antiquity to the Renaissance as a way of glimpsing the nature of reality. Geometry is number in space; music is number in time; and cosmology expresses number in space and time. Number, music, and geometry are metaphysical truths: life across the universe investigates them; they foreshadow the physical sciences.
Quadrivium is the first volume to bring together these four subjects in many hundreds of years. Composed of six successful titles in the Wooden Books series-Sacred Geometry, Sacred Number, Harmonograph, The Elements of Music, Platonic & Archimedean Solids, and A Little Book of Coincidence-it makes ancient wisdom and its astonishing interconnectedness accessible to us today.
Beautifully produced in six different colors of ink, Quadrivium will appeal to anyone interested in mathematics, music, astronomy, and how the universe works.
Wooden Books was founded in 1999 by designer John Martineau near Hay-on-Wye. The aim was to produce a beautiful series of recycled books based on the classical philosophies, arts and sciences. Using the Beatrix Potter formula of text facing picture pages, and old-styles fonts, along with hand-drawn illustrations and 19th century engravings, the books are designed not to date. Small but stuffed with information. Eco friendly and educational. Big ideas in a tiny space. There are over 1,000,000 Wooden Books now in print worldwide and growing.
“Myth, Magick & Masonry” By Jaime Lamb
Myth, Magick, & Masonry is scholarly badge of a worthy brother’s pursuit of the mysteries of Freemasonry. Brother Jaime Lamb has produced a succinct academic work which at once inspires the reader with the most exalted ideas of the Craft and pleases the academy of Masonic thought by rigorous and faithful sourcing. Though at times Bro. Lamb may seem to reach a little too far for a correspondence or analogy, but the extent of his grip is supported by dutiful research,sincere speculation, and an obvious love for the Gentle Craft.
Brother Lamb does a good job where many authors of esoterica fall short: he properly puts his work within a reasonable scope. Deep into the book, he reiterates the purpose of his work as he dives into Mithraism’s commonalities with Freemasonry.
“As we examine the body of correspondences existing between Freemasonry and Mithraism, it is important to bear in mind that it is not the purpose of this work to endeavor to establish an uninterrupted lineage, nor to imply any kind of direct cultural inheritance – an argument of this sort would, of course, require a detailed anthropological study beyond the scope of the present work – we are merely highlighting a set of commonalities which, it is hoped, will serve to provide substance for further contemplation.”
This quote and others like it serve to ground the lofty ideas of Myth, Magick, & Masonry, giving them some academic credibility. With a well balanced balanced approach and four sections delegated to frame Bro. Lamb’s thoughts within the book, the text is approachable without losing its mental rigor.
Each section begins with a quote not unlike the one above, stating the section’s purpose and overall scope. He then executes due diligence by providing background information on his various subjects, which include the tenets of Freemasonry, a cursory introduction to Western Astrology, a crash course in Mithraism, and a cursory overview of various other mainstream Western esoteric concepts and systems.
Bro. Lamb did not go dangerously deep into any one abstract subject, but rather delved just enough under the surface to represent the validity of his observations, all the more enticing the appetite of the contemplative Mason. After setting the stage for the premise of each section, Bro. Lamb pulls from the likes of Campbell, Jung, and Manly P. Hall to support his observations. Other behemoths of Western Esoteric thought are referenced throughout including Levi, Pike, and Regardie. And even further, the more niche Freemasonic, Mithraic, and Hermetic subjects got their scholarly nod. Though I did not necessarily agree with all of his correspondences or points, the author’s earnest tone and prolific referencing forced me to consider his position.
One will not find any magick formula or practical exercises in this short book. However, one will see a variety of new sign posts and helpful hints on the Masonic path. Though all the sign posts might not be what anyone one brother may be able to read or provide information about a destination that he is interested in, the broad scope and plentiful references will surely provide the reader with tools and information that would have only been otherwise obtained through in-depth research and analysis.
As a Brother who has thought about such esoteric subjects within and without the Lodge, I found Bro. Lamb’s work to be supportive and thought provoking. There were many points that I had not considered, and also a multitude of references and sources that I will surely keep handy in my future endeavors of Masonic exploration. For myself personally, I found comfort and encouragement in finding another brother that was traveling East on a road not dissimilar to my own. To see a modern take on a subject often reserved for yesterday’s pen is an inspiring thing indeed.
Myth, Magick, & Masonry is not the be-all end-all of Masonic esoterica. It is, however, an extremely useful and laudable work that binds the wandering thoughts of modern Masonry and links them to other esoteric schools of thought in a cohesive and digestible fashion. This book deserves a spot next to Meaning of Masonry and Secret Teachings of All Ages, to serve the contemporary Mason in framing his lofty thoughts.
– Review by Brother Thom Carter
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“Robert’s Rules of Order” (Newly Revised) by Henry M. Robert III
The only authorized edition of the classic work on parliamentary procedure, with new and enhanced features, including how to conduct electronic meetings Robert’s Rules of Order is the book on parliamentary procedure for parliamentarians and anyone involved in an organization, … Read More
“William Hogarth: A Freemason’s Harlot” By Jeremy John Bell
William Hogarth, England’s most famous artist, was one of the first Freemasons to receive the Third Degree from the newly created Grand Lodge of England. Curiously, he hid all the signs, passwords and secret ‘knocks of recognition’ within his most popular artwork. Concealed so brilliantly within his paintings, they have not been seen for nearly three centuries. Hogarth also hid several details that slandered the ‘Father of Freemasonry’, Jean Desaguliers. The artist featured the third 3rd Grand Master covered in wax, dressed in drag, and ‘catching a fart’. Other curious details that have confused commentators for centuries can now be finally explained by their Masonic connection: Masturbating Kings, Ejaculating Ministers, Orgasmic Curtains and a Stabbed Chicken. However, the most shocking discovery is that Hogarth exposed a Earl and a Viscount as homosexuals, using graphic details within his most popular paintings. He did this in order to defend his Grand Lodge against a rival faction of Jacobite Freemasons. Over 300 illustrations explain this fascinating story of how Hogarth was commissioned by the Premier Grand Lodge to ensure its very survival. It will be of great interest in this, the Tercentenary of the inception of Modern Freemasonry. William Hogarth – A Freemason’s Harlot – with a foreword by Professor Sean Shesgreen author of Complete Engravings, (Dover Fine Art, 1973), Hogarth Times of Day, (Cornell, 1983). Available at brotherhogarth.com – Jeremy Bell has written articles on Freemasonry for the British Art Journal and articles on art for the Grand Lodge of Massachusetts.
“Committed to the Flames: The History and Rituals of a Secret Masonic Rite” by Arturo de Hoyos and S. Brent Morris
In 1826 Robert Benjamin Folger, a recent graduate of medical school and a new Master Mason, filled a book with the enciphered Craft rituals of the Rectified Scottish Rite, a high-grade revision of the rite of Strict Observance. well-known in Europe but unknown in the UNited States. His introduction directed thatthe rituals be “committed to the Flames” upon his death. FOrtunatley for Masonic historians instructions were not followed. Folger went on to prepare at least two other books of rituals. A man of tremendous talents, strongpassions, and curious contradictions, Folger was twice expelled from Masonry by the Grand Lodge of New York and participated in at least six clandestine Supreme Councils, but died a Master Mason in good standing. The book gives full transcriptions of all og his rituals, an analysis of their place in Masonry and biographies of Folger and his major contemporaries in his Masonic work.