“Committed to the Flames: The History and Rituals of a Secret Masonic Rite” by Arturo de Hoyos and S. Brent Morris
In 1826 Robert Benjamin Folger, a recent graduate of medical school and a new Master Mason, filled a book with the enciphered Craft rituals of the Rectified Scottish Rite, a high-grade revision of the rite of Strict Observance. well-known in Europe but unknown in the UNited States. His introduction directed thatthe rituals be “committed to the Flames” upon his death. FOrtunatley for Masonic historians instructions were not followed. Folger went on to prepare at least two other books of rituals. A man of tremendous talents, strongpassions, and curious contradictions, Folger was twice expelled from Masonry by the Grand Lodge of New York and participated in at least six clandestine Supreme Councils, but died a Master Mason in good standing. The book gives full transcriptions of all og his rituals, an analysis of their place in Masonry and biographies of Folger and his major contemporaries in his Masonic work.
“Is It True What They Say About Freemasonry?” by Arturo de Hoyos and S. Brent Morris
For as long as there have been Freemasons, there has been a calculated effort to disparage and discredit them as well as their practices. But why does this incessant attack exist, and where does it originate from? In this insightful text, masons Arturo de Hoyos and S. Brent Morris explore the origins of the anti-Masonic mind-set and delve into the falsehoods on which critics have based these perennial sentiments. Confronting opponents one at a time, the authors methodically debunk the myths that have surrounded Freemasonry since its establishment, investigating the motives and misconceptions that drive these antagonists to spread deceit about Masonic traditions. With close readings and thorough research, they uncover a history of fallacies that have been handed down through the generations, and ultimately expose anti-Masonic prejudices that reach almost three hundred years into the past.
“The Journey of the Elu to Enlightenment: A Contemporary Interpretation of the Teachings of the Scottish Rite” By Robert G Davis
The Scottish Rite is the most philosophical of all the branches of Freemasonry. It meets the brother immediately following his awakening to the condition of his own life, with all its challenges and victories. It directs him on a new journey of self-discovery; of personal and spiritual growth. It provides him a higher understanding of how this newly discovered light and mindfulness can then be played out in the real world and become a guiding force in his life. The Rite offers a facilitated path for each Initiate to find and apply the best that is within him in all the activities of his life.This journey is nothing less than the journey to the mature masculine soul. This book takes a new look at how the teachings of the Scottish Rite serve both the individual and humanity in advancing the ideals of peace, enlightenment, and freedom for all mankind. It introduces the themes and quests of the Rite, and outlines how each degree or level of instruction fulfills an important element in the attainment of three of Freemasonry’s highest principles—enlightenment, freedom, and toleration. It also recognizes that the historical settings, language, pageantry, and form of instruction of the degrees were all penned during the 18th and early 19th centuries. As beautiful and meaningful as these are, the presentations can create a disconnect between the ancient settings of the teachings and the contemporary life of the men who experience them. This work is an effort to bridge the gap between the ancient symbols, themes, quests, and philosophies offered by the Scottish Rite; and how these profound ideas can be communicated, understood, and applied in today’s world.
“Tell me more about the Mark Degree” by Revd Neville Barker Cryer
Ten five-minute talks to be performed in a Mark Lodge or just to read at home. Including : About the Mark Man and Mark Master, About the Mark, The true meaning oft he Key Stone and the Cornerstone. Discover the symbolism behind The Mark Tracing Board and much much more.
“Myth, Magick & Masonry” By Jaime Lamb
Myth, Magick, & Masonry is scholarly badge of a worthy brother’s pursuit of the mysteries of Freemasonry. Brother Jaime Lamb has produced a succinct academic work which at once inspires the reader with the most exalted ideas of the Craft and pleases the academy of Masonic thought by rigorous and faithful sourcing. Though at times Bro. Lamb may seem to reach a little too far for a correspondence or analogy, but the extent of his grip is supported by dutiful research,sincere speculation, and an obvious love for the Gentle Craft.
Brother Lamb does a good job where many authors of esoterica fall short: he properly puts his work within a reasonable scope. Deep into the book, he reiterates the purpose of his work as he dives into Mithraism’s commonalities with Freemasonry.
“As we examine the body of correspondences existing between Freemasonry and Mithraism, it is important to bear in mind that it is not the purpose of this work to endeavor to establish an uninterrupted lineage, nor to imply any kind of direct cultural inheritance – an argument of this sort would, of course, require a detailed anthropological study beyond the scope of the present work – we are merely highlighting a set of commonalities which, it is hoped, will serve to provide substance for further contemplation.”
This quote and others like it serve to ground the lofty ideas of Myth, Magick, & Masonry, giving them some academic credibility. With a well balanced balanced approach and four sections delegated to frame Bro. Lamb’s thoughts within the book, the text is approachable without losing its mental rigor.
Each section begins with a quote not unlike the one above, stating the section’s purpose and overall scope. He then executes due diligence by providing background information on his various subjects, which include the tenets of Freemasonry, a cursory introduction to Western Astrology, a crash course in Mithraism, and a cursory overview of various other mainstream Western esoteric concepts and systems.
Bro. Lamb did not go dangerously deep into any one abstract subject, but rather delved just enough under the surface to represent the validity of his observations, all the more enticing the appetite of the contemplative Mason. After setting the stage for the premise of each section, Bro. Lamb pulls from the likes of Campbell, Jung, and Manly P. Hall to support his observations. Other behemoths of Western Esoteric thought are referenced throughout including Levi, Pike, and Regardie. And even further, the more niche Freemasonic, Mithraic, and Hermetic subjects got their scholarly nod. Though I did not necessarily agree with all of his correspondences or points, the author’s earnest tone and prolific referencing forced me to consider his position.
One will not find any magick formula or practical exercises in this short book. However, one will see a variety of new sign posts and helpful hints on the Masonic path. Though all the sign posts might not be what anyone one brother may be able to read or provide information about a destination that he is interested in, the broad scope and plentiful references will surely provide the reader with tools and information that would have only been otherwise obtained through in-depth research and analysis.
As a Brother who has thought about such esoteric subjects within and without the Lodge, I found Bro. Lamb’s work to be supportive and thought provoking. There were many points that I had not considered, and also a multitude of references and sources that I will surely keep handy in my future endeavors of Masonic exploration. For myself personally, I found comfort and encouragement in finding another brother that was traveling East on a road not dissimilar to my own. To see a modern take on a subject often reserved for yesterday’s pen is an inspiring thing indeed.
Myth, Magick, & Masonry is not the be-all end-all of Masonic esoterica. It is, however, an extremely useful and laudable work that binds the wandering thoughts of modern Masonry and links them to other esoteric schools of thought in a cohesive and digestible fashion. This book deserves a spot next to Meaning of Masonry and Secret Teachings of All Ages, to serve the contemporary Mason in framing his lofty thoughts.
– Review by Brother Thom Carter
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“King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine”
The bestselling, widely heralded, Jungian introduction to the psychological foundation of a mature, authentic, and revitalized masculinity.
Redefining age-old concepts of masculinity, Jungian analysts Robert Moore and Douglas Gillette make the argument that mature masculinity is not abusive or domineering, but generative, creative, and empowering of the self and others. Moore and Gillette clearly define the four mature male archetypes that stand out through myth and literature across history: the king (the energy of just and creative ordering), the warrior (the energy of aggressive but nonviolent action), the magician (the energy of initiation and transformation), and the lover (the energy that connects one to others and the world), as well as the four immature patterns that interfere with masculine potential (divine child, oedipal child, trickster and hero). King, Warrior, Magician, Lover is an exploratory journey that will help men and women reimagine and deepen their understanding of the masculine psyche.
“The Ceremony of Initiation” by W.L. Wilmshurst
The Ceremony of Initiation was originally written for the instruction of the members of the research lodge, known as the Lodge of Living Stones, founded by W.L.Wilmshurst in Leeds. Walter Leslie Wilmshurst was born in 1867 in Sussex. At the age of fifteen he was articled to a solicitor in Huddersfield, Yorkshire, and worked as a solicitor there until his death in 1939. He was also one of the best-loved writers about Freemasonry of the twentieth century as well as the founding Master of The Lodge of Living Stones. His first best-selling book, The Meaning of Masonry, was soon followed by the equally popular The Masonic Initiation, and in addition he was a prolific writer of essays about the esoteric side of Freemasonry. Wilmshurst’s style of writing, highly formal and typical of his Victorian education, can make him a difficult read for modern Masons. Hence Robert Lomas, himself a popular writer on Freemasonry, and the Associate Membership Secretary of the Lodge of Living Stones, decided to revisit some of Wilmshurst’s less well-known books and restate their ideas in a more modern idiom so as to alert new Masons to the deeper meaning of the rituals of their Craft. This edition contains Wilmshurst’s complete original text, as well as Lomas’s modern retelling.
“William Hogarth: A Freemason’s Harlot” By Jeremy John Bell
William Hogarth, England’s most famous artist, was one of the first Freemasons to receive the Third Degree from the newly created Grand Lodge of England. Curiously, he hid all the signs, passwords and secret ‘knocks of recognition’ within his most popular artwork. Concealed so brilliantly within his paintings, they have not been seen for nearly three centuries. Hogarth also hid several details that slandered the ‘Father of Freemasonry’, Jean Desaguliers. The artist featured the third 3rd Grand Master covered in wax, dressed in drag, and ‘catching a fart’. Other curious details that have confused commentators for centuries can now be finally explained by their Masonic connection: Masturbating Kings, Ejaculating Ministers, Orgasmic Curtains and a Stabbed Chicken. However, the most shocking discovery is that Hogarth exposed a Earl and a Viscount as homosexuals, using graphic details within his most popular paintings. He did this in order to defend his Grand Lodge against a rival faction of Jacobite Freemasons. Over 300 illustrations explain this fascinating story of how Hogarth was commissioned by the Premier Grand Lodge to ensure its very survival. It will be of great interest in this, the Tercentenary of the inception of Modern Freemasonry. William Hogarth – A Freemason’s Harlot – with a foreword by Professor Sean Shesgreen author of Complete Engravings, (Dover Fine Art, 1973), Hogarth Times of Day, (Cornell, 1983). Available at brotherhogarth.com – Jeremy Bell has written articles on Freemasonry for the British Art Journal and articles on art for the Grand Lodge of Massachusetts.